This could well be a father's statement to his daughter who just sent me an image that she took. Having said that, I hope she's checking out the blog, for sure.
I'm very comfortable with my style looking back at many years of images. Twenty-three years ago, when I did the initial research on a name that I wanted to use it was an image of a distorted reflection--- in other words, people have an image of a paparazzo in their heads that isn't really what I wanted to convey. In fact, the ideal was to distort that image that people had with the name in their minds, with the actual end result being nearly a 180-degree turn from what people would be thinking. Hence, the birth of dallaspaparazzo because it would be of things in a high density population and urban setting. People were not the focus at all.
All these years later, I have had a more clear focus on light, textures, angles, materials and structural elements. To paraphrase an article that I found on the web in the early 2021 during the pandemic the article was more like I had envisioned the end result of our name some twenty years before the article was written.
My mother did amazing things in abstract designs long before they were fashionable. I have always been a big fan of abstracts and when I can photograph something that has endless possibilities of abstractness, I can sit for hours looking at what I see physically and how it looks mentally. In short, I am not afraid to shoot something 'off the wall' odd or strange whether people understand it or not. In fact, go to a museum and look at a famous artist painting. People see different things. With me, composition rules go out the window. My intention is to see how long it takes someone to mention that they saw much the same as I did when composing the shot. Sales is the barometer of that process generally.
At this writing, images that I shot on a streak of creativity are selling off the wall (pardon the pun) within days of them being published. And in that same vein of thought, last week I sold an image that was shot 19 years ago for the first time. Unusual to have such a vast spread of time of images to be analytical of one that jumped off the shelf and another one that sat in a server for all that time but had the same results. I love to see those things, I then go out and photograph point-counterpoint shots again.
One of my old friends and also an AP photographer, once told me that there is no incorrect way to create an image. You see something that moves you, shoot the darn thing. I have long remembered Steve's firmness when he said that to me. He was an amazing man with a camera. He is also the man that would walk out on a steel beam 60 stories up to shoot steelworkers sitting on the beam eating their lunch, just to get a shot that "moved him". That was the point where Steve and I drew the line. He knew better than to ask me to do that and I knew better than to take the bait. I was not going out on a steel beam 600 feet up in the air to get a shot. That's why they make long glass that fit camera bodies.
Over the years another thing that I ran across in one of several articles Google turned up in a search, answered my question with many references: The common misconception is that Urban photography and Street photography are interchangeable. They are not. They are two separate entities by definitions.
"Urban photography serves as a representation of contemporary life in a city space, Street photography is a visual documentation of society within public space." Judity Ruiz Ricart, Wix.com/blog/photography/urban-photography, Feb.10, 2020.
Many argue that street photography should be considered a sub-genre of urban photography. It has always been: it all depends on who you ask. Which was exactly what Steve had told me years earlier in one of those times when he left his comedy side and became a teacher with firmness in his voice.
My point to be made here in mutual agreement with Steve (R.I.P you old West Virginia Boy) and Google found article by Judity Ricart, is that I have not been as analytical about street photography and urban photography as I should be or
as I have been about the term in which images sell (that's the old Marketing side me of rearing it head). And that was triggered when my daughter sent me her image with the caption, "See I can take good pics too".
In short, the creative juices are flowing again like an open tap. I am anxious to see what appears in the lens when I can get back out there.
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