It goes without saying that I love architecture and big pipe organs.Seldom does one find both in one location here in the states. Oh, did I say, Spanish Plateresque? Well, I believe I did. So go get your coffee or a glass of wine and pull up a chair for your spouse or partner because, not only is this amazing, I'm going to ask you do some of the work yourself. Don't fret, it's nothing more than looking up a couple of links that I will tell you about so you can know what you are looking at. Ready, Alright. Here we go.
The Cathedral
Spanish Plateresque architecture was the dominant architecture in Spain during the middle ages (late 15th and the 16th centuries). While the rest of Europe was embracing the Italian Renaissance, Spain was bathing in the grand tradition of the great European architecture in it's cathedrals. The only difference was the fine details that were left out on the European cathedrals (and they have a lot as it is). The floor plan of this cathedral is a basilica floor plan. It was built in 16 years during the great depression of 1931 at a cost of $3.25 million dollars. Ground breaking was in 1925 and the cornerstone was placed in 1926. It was completed in 1940. The structure is of Massachusetts granite and Indiana Limestone.
The Organ
The organ part of this geographic location is about one of only six Skinner organs built. It has a sister organ that sits about two miles away. That is now, two of the six Skinners and the odds just got better. Much better. It is a 76-rank instrument. The console sits on the basilica floor near the alter. It has roughly 5,000 pipes from pencil size to nearly beer keg size and from roughly 7-inches tall to 32 feet. The opus number for the cathedral organ is number 820 on the Skinner Opus of builds and was personally finished by Ernest M. Skinner, himself. It remains since 1930 virtually unaltered. The cathedral that it sets in is 285 feet long by 215 feet wide with 96 feet from bottom to top.The Rose window above the front entrance measures 28 feet in diameter. In 2009, the Organ Historical Society gave a historical citation of the instrument.
Back to the Cathedral
The only Spanish Plateresque cathedral in North America is Our Lady,Queen, of the Most Holy Rosary Cathedral. To the locals, it's just Rosary Cathedral. It sits on Collingwood Boulevard at Islington Avenue in Toledo's Old West End, a Victorian section of beautiful homes with names attached such as Stranahan, Owens, and Libby. Stranahan was the Champion Spark Plug. Owens was Owens Corning Fiberglass and Libby was the Libby Glass. Great Industrialist in their own right.
Rosary Cathedral is the mother church to the 163 parishes of the Diocese of Toledo covering 19-counties of Northwest Ohio. It is the seat of the Bishop. The second bishop of the diocese that approved the plans for the cathedral was Samuel Stritch (1921-1930) Later, he would have a high school named after him, Cardinal Stritch. The dedication of the cathedral was under the 3rd bishop, Karl Alter. It was the end of the depression.
Toledo's sister city, Toledo, Spain, was held in the minds of its designers as Rosary Cathedral was built in the spirit of those great European Cathedrals of the Middle Ages. Today, it remains there in the 21st century.
The only time that I have seen the Cathedral draped in black crepe was for the mourning period after JFK's assassination. Even in his death, in that place, God was glorified. It was a sight that left such a lasting impression on the mind and stirred the emotional well deeply.
Back to the Organ
The sister organ sits on stage at the beautiful Greek-styled Toledo Museum of Art's Peristyle Concert Hall that is less than two miles due south of the cathedral. In my late teens, I attended a concert in the Peristyle to see and hear, the great E. Power Biggs perform. (Marilyn Mason, eat your heart out.) I also heard her perform in concert at an Episcopal Church in Memphis, Tennessee a few years prior to the E.Power Biggs concert. E.Power gave the better performance by far. I even think him better than Virgil Fox. Cameron Carpenter? We shall see when he settles down from his current showmanship stage.
Finale
Some of you will remember the piece with the link to St. Sulpice titular organist allowing a group of students to play Widor on that magnificent instrument. Well, there is something to be said about great organs in great cathedrals the world over, but not enough that Daniel Roth allows people to play his relished place and charge at St. Sulpice. What is often unsaid is that these instruments are such masterpieces. The places where they reside are masterpieces. But only a limited few ever get a chance to sit on the bench, much less play them.
There is something that runs through your soul much like a bolt of electricity to hear that sound being spoken from a pipe high in the vaults in response to you having pressed the key at the console. I have sat down on the benches of some well-respected instruments and have played some wonderful instruments from university auditoriums, and university chapels to churches, to concert halls, to private chapels and residences that had smaller versions. I have also had the honor of playing two identical Schantz three manual organs in different installations; one in a Catholic church with Chef Boyardee tile on the walls and one in a Methodist church. The ravioli maker guy's tile made a big difference in sound. I'm not so sure his ravioli matches his tile making ability.
It will always be difficult to play these instruments. Their key-keepers guard these more than a great Stradivarius violin is guarded by its owner. Most large cathedrals give tours and showing off their pipe organs. It is very much part of the tour from the National Cathedral in Washington to New York's St. John the Divine, to the only Spanish Plateresque Architectural Cathedral in North America like Rosary Cathedral or even the Lay Family Organ in the Meyerson Symphony Hall, here in Dallas.
Enjoy the architecture and the music the next time you take a tour in person or via the internet and when in another city, a great place to burn extra time is touring the local cathedrals and organ lofts.
Links from YouTube
You tube has a 11-minute video about the building of Rosary Cathedral, Toledo, Ohio. There is also videos of short concerts on the Skinner organ. The Toledo Dioceses produced the 11-minute clip. The acoustics in the cathedral is super. The sounds resonates from cut-off for about 5-6 seconds.
The pictures in the video show the Plateresque style in the spirals very well. Inside, the vaulted arches are well viewed as is the famous Rose Window above the front door, with both inside and outside views.
The outside of the cathedral doors were beautiful draped in mourning black crepe. I hope I never have to see that again anywhere, but at the time, it was not only historic, but went deep into one's emotions. I have searched the web for images from that time period and not a single image was found.
Just a note about one of the other Skinner Organs. The church on Wall Street had one of the original Skinners but it was damaged during the 911 attack. At last word, it still had not been replaced although there is a replacement organ currently installed, it is not the Skinner that was there.
I did find a You Tube video of Ty Thompson playing the giant 5-manual at the U.S. Naval Academy in Annapolis, Md. You navy guys will recognize the hymn. The video reminded me of the young student playing the Widor Toccata at St. Sulpice.
The Cathedral
Spanish Plateresque architecture was the dominant architecture in Spain during the middle ages (late 15th and the 16th centuries). While the rest of Europe was embracing the Italian Renaissance, Spain was bathing in the grand tradition of the great European architecture in it's cathedrals. The only difference was the fine details that were left out on the European cathedrals (and they have a lot as it is). The floor plan of this cathedral is a basilica floor plan. It was built in 16 years during the great depression of 1931 at a cost of $3.25 million dollars. Ground breaking was in 1925 and the cornerstone was placed in 1926. It was completed in 1940. The structure is of Massachusetts granite and Indiana Limestone.
The Organ
The organ part of this geographic location is about one of only six Skinner organs built. It has a sister organ that sits about two miles away. That is now, two of the six Skinners and the odds just got better. Much better. It is a 76-rank instrument. The console sits on the basilica floor near the alter. It has roughly 5,000 pipes from pencil size to nearly beer keg size and from roughly 7-inches tall to 32 feet. The opus number for the cathedral organ is number 820 on the Skinner Opus of builds and was personally finished by Ernest M. Skinner, himself. It remains since 1930 virtually unaltered. The cathedral that it sets in is 285 feet long by 215 feet wide with 96 feet from bottom to top.The Rose window above the front entrance measures 28 feet in diameter. In 2009, the Organ Historical Society gave a historical citation of the instrument.
Back to the Cathedral
The only Spanish Plateresque cathedral in North America is Our Lady,Queen, of the Most Holy Rosary Cathedral. To the locals, it's just Rosary Cathedral. It sits on Collingwood Boulevard at Islington Avenue in Toledo's Old West End, a Victorian section of beautiful homes with names attached such as Stranahan, Owens, and Libby. Stranahan was the Champion Spark Plug. Owens was Owens Corning Fiberglass and Libby was the Libby Glass. Great Industrialist in their own right.
Rosary Cathedral is the mother church to the 163 parishes of the Diocese of Toledo covering 19-counties of Northwest Ohio. It is the seat of the Bishop. The second bishop of the diocese that approved the plans for the cathedral was Samuel Stritch (1921-1930) Later, he would have a high school named after him, Cardinal Stritch. The dedication of the cathedral was under the 3rd bishop, Karl Alter. It was the end of the depression.
Toledo's sister city, Toledo, Spain, was held in the minds of its designers as Rosary Cathedral was built in the spirit of those great European Cathedrals of the Middle Ages. Today, it remains there in the 21st century.
The only time that I have seen the Cathedral draped in black crepe was for the mourning period after JFK's assassination. Even in his death, in that place, God was glorified. It was a sight that left such a lasting impression on the mind and stirred the emotional well deeply.
Back to the Organ
The sister organ sits on stage at the beautiful Greek-styled Toledo Museum of Art's Peristyle Concert Hall that is less than two miles due south of the cathedral. In my late teens, I attended a concert in the Peristyle to see and hear, the great E. Power Biggs perform. (Marilyn Mason, eat your heart out.) I also heard her perform in concert at an Episcopal Church in Memphis, Tennessee a few years prior to the E.Power Biggs concert. E.Power gave the better performance by far. I even think him better than Virgil Fox. Cameron Carpenter? We shall see when he settles down from his current showmanship stage.
Finale
Some of you will remember the piece with the link to St. Sulpice titular organist allowing a group of students to play Widor on that magnificent instrument. Well, there is something to be said about great organs in great cathedrals the world over, but not enough that Daniel Roth allows people to play his relished place and charge at St. Sulpice. What is often unsaid is that these instruments are such masterpieces. The places where they reside are masterpieces. But only a limited few ever get a chance to sit on the bench, much less play them.
There is something that runs through your soul much like a bolt of electricity to hear that sound being spoken from a pipe high in the vaults in response to you having pressed the key at the console. I have sat down on the benches of some well-respected instruments and have played some wonderful instruments from university auditoriums, and university chapels to churches, to concert halls, to private chapels and residences that had smaller versions. I have also had the honor of playing two identical Schantz three manual organs in different installations; one in a Catholic church with Chef Boyardee tile on the walls and one in a Methodist church. The ravioli maker guy's tile made a big difference in sound. I'm not so sure his ravioli matches his tile making ability.
It will always be difficult to play these instruments. Their key-keepers guard these more than a great Stradivarius violin is guarded by its owner. Most large cathedrals give tours and showing off their pipe organs. It is very much part of the tour from the National Cathedral in Washington to New York's St. John the Divine, to the only Spanish Plateresque Architectural Cathedral in North America like Rosary Cathedral or even the Lay Family Organ in the Meyerson Symphony Hall, here in Dallas.
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Links from YouTube
You tube has a 11-minute video about the building of Rosary Cathedral, Toledo, Ohio. There is also videos of short concerts on the Skinner organ. The Toledo Dioceses produced the 11-minute clip. The acoustics in the cathedral is super. The sounds resonates from cut-off for about 5-6 seconds.
The pictures in the video show the Plateresque style in the spirals very well. Inside, the vaulted arches are well viewed as is the famous Rose Window above the front door, with both inside and outside views.
The outside of the cathedral doors were beautiful draped in mourning black crepe. I hope I never have to see that again anywhere, but at the time, it was not only historic, but went deep into one's emotions. I have searched the web for images from that time period and not a single image was found.
Just a note about one of the other Skinner Organs. The church on Wall Street had one of the original Skinners but it was damaged during the 911 attack. At last word, it still had not been replaced although there is a replacement organ currently installed, it is not the Skinner that was there.
I did find a You Tube video of Ty Thompson playing the giant 5-manual at the U.S. Naval Academy in Annapolis, Md. You navy guys will recognize the hymn. The video reminded me of the young student playing the Widor Toccata at St. Sulpice.
